For many years, me and Greg Humphries—artist, magician and woodsman—have been rambling over the Devon and Cornwall landscape, exploring the hidden psychogeographical, mythical and mystical aspects of the place in which we live. On the 16th of April 2018, the 75th anniversary of the day that Albert Hofmann first accidentally ingested LSD-25, we took one of our walks along the Cornish coast; our mission, to hide a psychedelic treasure.
Bring me my bow of burning gold…
Greg recently exhibited some of his art at the Penwith Gallery in St.Ives, Cornwall. On show was the The Bow of Albion: For The Herald Of The New Aeon, an exquisite longbow, complete with arrows, quiver and magnificent leather case—all made by hand. Also on show were three of The Doorstops of Perception (well, once the doors of perception are opened, one might well require something to stop them banging shut!). One of these beautifully hand-carved doorstops is the principle object contained in the ‘time capsule’ we have buried.
Along with the Doorstop is a badge showing the iconic Albert Hofmann blotter art (the rest of the badges were given away at a ceremony three days later).
Also in the magical box was a picture of the artist, actress and magician Pamela Coleman Smith. The monogram signature ‘PCS’ can be found on each of tarot cards she designed. Just as there is a great (and not before time) reappraisal of female occultist artists such as Ithell Colquhoun, I hope it will not be long before ‘Pixie’, as Coleman Smith was known, gets a proper retrospective.
Consulting Pixie’s tarot by her graveside, and giving thanks for her work
Why do this kind of stuff? In some ways it’s a continuity of the kind of psychogeographical projects that Greg and I have found ourselves doing throughout our longstanding friendship. (One of these is documented in our book, Walking Backwards, Or The Magical Art of Psychedelic Psychogeography, available here, for a limited period with full-colour pictures—until summer solstice 2018—after which it will only be on sale as a monochrome version). In other respects this is a new process: to directly (re)enchant the magical landscape of our place through our art. Like our ancestors, we are making offerings to the spirits of the land, and in our own small way enchanting for the rediscovery of magic in all our lives.
Unlike the days of yore, when Greg and I recorded our walks with occasional photography, the ubiquitous magical tool of the mobile phone allows us to capture and share the digital traces of our adventures.
So, as per the reading above, our wand-waving knights set off toward the Tower…
On the skyline The Tower of the Winds
Greg charges, prepares and blesses The Doorstop of Perception…
Artworks are created…
Greg reflects on the nature and practice of psychogeography within the animist paradigm…
Carefully setting the turf back,
Leaving no visible trace
On this power spot,
The spell is cast.
Ahoy!
Julian Vayne
Walking Backwards, Or The Magical Art of Psychedelic Psychogeography is reviewed here and here.
