What We Find Ourselves Doing…

A good friend of my once observed that we should pay more attention to what we find ourselves doing rather than what we think we should be doing. What my friend (who is both a therapist and magician) was pointing towards was that we often cause ourselves suffering through the endless cycle of searching, aspiration and acquisition. “If I just gain mastery of x, acquire this book or undertake this training then I will know who I am and what I’m supposed to be doing here!” Sadly this doesn’t really work does it? We might gain a temporary sugar-high from rebranding ourselves or spending far too much on fine books (or wines), but if your anything like me we end up caught in a solipsistic loop where we end up exhausted (and frankly bored) by our endless self-narrative.

My friend’s theory was that if we pause for a moment and reflect on the things that we actually do and enjoy doing (hence why we keep doing them), then we are probably getting close to understanding something about what we really desire. Desire often gets a bad press, but personally I feel that our problems with distraction and consumerism are often our attempts to flee from the cost that our real heart-longings might ask of us. The quick-fix is really no fix at all and contrasts radically with the type of awakening and attentive self-listening that will allow us to look down to the soil in which are personal roots are really bedded.

Such self-reflection is rarely easy and in making the effort to “tune-in” to these realities, we may have to turn-down or reject the versions of ourselves that others may want us to buy into. This willed antinomianism allows the creation of a space in which we might experience a greater sense of cognitive liberty in experimenting with our dreams. This is the demarcation of the magical circle – a lab in which we create the optimal conditions for self-examination. In waking up to “what we find ourselves doing” I have often opted for a period of elective self-limitation. In a world where endless choice and speed are valued, a period of monastic retreat often allows the cultivation of clarity.

Getting up to stuff in the magic laboratory

Getting up to stuff in the magic laboratory

As we push our hands down into the dark soil of our unconscious, we risk the possibility of contacting some of the core aspects of what drives us and those things that cause us to feel most alive. The discovery of this “dark matter” is rarely linear and the value of art, dreams and synchronicities should not be underestimated. Often the untidy syncretism of our altar spaces, reveal more to us than our ordered book shelves.

One of my personal routes to accessing such gnosis has been through the use of dance and shaking states. In seeking to loosen the tensions and defences that often get located in what Wilhelm Reich described as “body armour”; I often have a sense of a deeper instinctive knowing emerging in and through the body. When I move in response to the music my self-consciousness slowly melts away. This type of “shape –shifting” may well relate to the way in which the body allows us to process aspects of the self that the conscious mind struggles to make sense of. Interesting research is beginning to explore this territory, and it may be the “darker” more instinctive drivers of the early or “reptilian” brain get processed more effectively when we actively engage the body. As I dance I often feel that in my messy embodiment, I am making sense of my early and deepest drives (for more on this see “The Compassionate Mind” by Paul Gilbert and Peter Levine’s work on trauma).

In reconnecting to the “what is” of the moment, rather than becoming stuck we create the possibility of emergence coming from a place of depth. Stirred by the memory of some conversations with a Setian Priest, I keep returning   to the concept of how important “need-fire” is in the pursuit of my own initiatory work. Whether one self-defines as a magician or not, one of the primary indicators of whether a goal will reach fruition relates to the degree to which we are motivated by burning need. To follow a path of the basis of whim or fashion may provide a temporary distraction, but it is unlikely to adequately fuel significant transformation.

fuelling transformation

fuelling transformation

In many ways these observations connect to the “Chaos Craft” project (and forthcoming book) mentioned on this blog. In contrast to the often hyper-accelerated go-getting that one might associate with Chaos Magic, this project has sought to integrate the inescapability of the moment made manifest in time and the spirit of place. We make no claims to lineage or secrets shared on Grandma’s knee, rather this is a Witchcraft born of a connection to a raw coastline, the beating of drums and a desire to awaken. This is the Witchcraft we found ourselves doing.

To look into the mirror and truly see ourselves requires real bravery. To let go of the script of how it should be and to ask “What is it that I find myself doing…?” is truly revelatory. It may reveal the nature and extent of our current desires and also our need to escape from the current constraints that block our unfolding. There are no simple answers but it is a beginning.

SD

Weaving the Wyrd – movement sorcery technique

This is a technique that I occasionally like to deploy. Rarely is it a planned ritual but more often than not it emerges as something I do after sitting mediation or bodywork. It’s also a method that blends quite nicely with some entheogenic allies (where it’s safe and legal to do so of course). For me this approach works because as someone with a back ground in Wicca, and the mash-up with chaos magick that I call Chaos Craft, the eight-fold wheel of the year and eight directions models are structures that I have deeply internalised. (However I’m sure this tech could be easily adapted to use other models.)

Formally mark the beginning of the ritual by ringing a bell or some other technique.

Stand in the centre of the space, in mountain asana, and become aware of the paradox that you are both the narrative reality of the body and Self/Selves (Zos) and also the ‘container’ of the limitless, chaotic, all-becoming, the indescribably vacuity that is Kia. Become the axis mundi and also the swirling Ginnungagap of possibility at the heart of the magick circle.

Using free-form movement or dance (with or without an instrument such as a rattle or background music if available) begin to move round the space. Become aware of the circle of the space and the eight directions. Feel into the relationship between the axis in the centre, your movements in the space and the eight points. As you circle around, dancing and moving, bring your attention to the powers, symbolism and time of year you associate with each direction (as per the model developed in Chaos Craft or some other system).

As you pass each direction of the circle listen to what comes up for you. In a certain place you may find yourself having your attention drawn to loved ones, to projects you’re engaged in, to difficulties you or others are experiencing or other impressions. You may find these somehow link with the symbolism of the directions. For example in the (northern latitudes, British) Chaos Craft model South West is associated with Lammas, Red Magick, cutting back what is no longer needed, harvesting etc. Perhaps this station of the circle will make your mindful of those relationships you need to end, or transform? To parts of yourself you want to burn up so that the ash can fertilise new possibilities, and so on.

Moving round the circle begin to see that you are in fact inside the Web of Wyrd, and that you are the ‘technician of the sacred‘ in this space. Use you arms, legs, gestures, sound and words to cut, plait, smooth and spin the lines of synchronicity and magic in the way that you Will (try to see or feel these links as though they were actual threads, tendrils or psychedelic tracers). As you move round the space your body becomes the needle, the loom, the weaver of magical change, interacting between the symbolic envelope (the eight sabbats/directions/colours), the issues that arise in your awareness, and yourself as the active magician making change in this model of reality (Knowing that; As Above, So Below.)

Making magickal passes

Making magickal passes

Once you feel that you have brought these threads of possibility into a new harmonious state, slow down your circumnambulations and come to stand again in the centre.

Make a prayer of thanks, or in some other way recognise and big-up the transformative power of the universe.

Let your breathing come back to normal ring the bell or repeat the marker you used to enter sacred space at the start of the practice.

…and you’re back in the room.

JV