queer | The Blog of Baphomet

The prolific Steve Dee has written a third book! Chaos Monk offers an unexpected fusion of New Monasticism and Chaos Magic, demonstrating that it is possible to simultaneously be devout and fully embedded in the everyday world…

Steve writes: This book is an invitation to spiritual intensity. In the face of life’s brevity, it seeks to offer a challenge to consider what truly matters and how we might find skilful means for exploring such a question. As the pace and pressures of daily living seek to crowd out our ability to find space and silence, I believe that those traditions and techniques associated with monasticism provide vital keys for regaining our balance. While some may view such paths as ones of restriction or severity, as we travel together I hope to demonstrate the profound value of what simplicity, faithfulness and accountability might bring us when viewed through dynamic and responsive lens of Chaos magical practice.

This book is a deeply personal one, and unapologetically so. The impulse to engage with the monastic current runs strongly in my veins and it continues to be a deep personal obsession. When I started my spiritual journey at age 10, I was captivated by images of orange clad ascetics from both Hindu and Buddhist traditions. Now, as an adult, I ask: Why do I continue to be drawn to a path that emphasizes asceticism and discipline? What draws so many people to the form of stark spirituality that monastic traditions represent? How might contemporary explorers distil its essential components? This book seeks to explore such questions and describes how my own journey into contemporary magical practice continues to include monastic dimensions within it.

Sitting still is where it all starts. Only by ceasing to move can we gain access to the state of mind necessary to begin moving. Both in our psyches, and in our lives, we carve out a space which is our own to pause, to take stock, to commune with our higher Self. And then, with our feet in the right place, we take the steps necessary towards our goals, in fellowship with our communities. The modern monk constructs their cell within the everyday world.
This book helps to model some of these processes for you. It contains personal examples, historical reviews of Monasticism through the ages, gentle prods to keep things moving, and reflections upon what such a pilgrimage might mean. The alchemy of transmutation applied to the soul takes time, but gives us gold.

“A profoundly beautiful exploration of spirituality, magic and self that I consider to be one of the most important books I have read on the subject in many years. Particularly relevant to this era, Chaos Monk is intellectually satisfying whilst presenting an eminently practical approach. This book examines internal and external realities and the tensions they generate; acknowledging wider relationships that impact upon magical and spiritual development. Referencing Tantra, Thelema, Monastic Traditions, Chaos Magic and psychology, ‘Chaos Monk’ structures a template for the development of a long term, pertinent, spiritual approach to the self and the times, and as such should be an essential component of every committed practitioner and seeker’s library.” Charlotte Rodgers, creator of sculptural art works, writer of books which include P is for Prostitution: A Modern Primer, The Sky is A Gateway Not A Ceiling, and The Bloody Sacrifice.

“An exhilarating journey through chaos monasticism, a mystical practice informed by chaos magic. Accessible and clearly written, yet informed by a deep knowledge of the history of spiritual movements in both East and West, decades of magical practice, psychotherapy and art, this is a book for anyone with mystical leanings who wants to put them into practice. The first part describes the theoretical basis of chaos monasticism, and the second part shows how to put it into practice. Steve offers genuinely original spiritual exercises to help you develop your practice and introduces an element of play into the inner work. He also taps into the important mystical streams of apophatic theology and the dark night of the soul, and offers an exploration of one of my favourite spiritual practices, lectio divina. Other practices offered here include pilgrimage, psychogeography, and pathworking, all of which are great ways of engaging with sacred space and time.” Yvonne Aburrow, author of All Acts of Love and Pleasure: Inclusive Wicca; Dark Mirror: The Inner Work of Witchcraft; and The Night Journey: Witchcraft as Transformation.

“Chaos Monk is a book I’ve been looking for for quite some time as it helps fill an often neglected area in the Chaos Magick approach—Mysticism! Steve Dee has an in-depth look at what a modern day monastic approach to Chaos Magick might look like. He draws from the past and other approaches but ultimately supplies the reader with some practical and useful ways of actually going out and doing it in a modern world setting. His thoughts on Chaos Mysticism, and his approach, ideas, and insights really resonated with me. I can only imagine that there will be a large number of people in the Chaos Magic community who will be well served by this book.” Tommie Kelly, Irish artist. musician, and writer, best known for his oracle deck The Forty Servants.

An Invitation
This is a call to come to the Quiet,
Those spacious places of the deep self.
This is a desert place found by the few
And others may laugh and call your journey madness.
Darkness is here
And only the brave can see that it holds the most brilliant of lights
Come, come my friends,
Come sit with those who are seeking the other side of silence.

For regular readers of this blog, it will hardly be surprising that I approached Dr Vanessa Sinclair’s new book with both excitement and high expectations. In my own writing (especially The Heretic’s Journey), I have been keen to explore how the methods of artistic creativity can be used by the magician as a means for mining the depths of the self.

Over the past decade or so, it has felt that many occultists have rejected psychological models of magic in favour of more traditionalist cosmologies that promise both historic roots and thorough methodology. In response to the postmodern, disposable approach of Chaos Magic such seekers are forthright in their critique of the “pop”, lightweight nature of the insights offered and question their ability to leverage lasting change.

In marked contrast to the surface level reflections that the psychological model can be prone to, Vanessa Sinclair’s work provides a necessary and significant counterweight. This work gives us a vital and re-energised perspective on how the insights of psychoanalytic thinking, language and artistic expression can have true transformative power and be:

“…a generative way of working with and through unconscious material and processes; cutting through ingrained systems of belief and oppression in order to attain new insights, ways of being and modes of becoming in the world.”

As I approached this book my expectations were already high, I was aware of Vanessa’s role as a visual artist, a practicing Psychoanalyst and co-convener of many excellent conferences focused on art, the occult and psychoanalysis. The breadth of her work and vision is nicely encapsulated here

In this book, Sinclair makes skilled use of Jacques Lacan’s expanded re-visioning of scansion as not merely a marker of poetic meter and emphasis, but rather scansion is a study in the disruptive and punctuating power of creativity. Sinclair invites us to a panoramic overview of modern art and culture; the vastness of her view can at times feel dizzying in its breadth but it is masterful in the vision that it captures. Scansion is a bold invitation to “new ways of seeing ourselves, one another and society…in a state of perpetual destruction and creation.” (p27)

We are treated to a pacey but theoretically engaging whistle stop tour through the history of modern art that sees a potent synchronicity between the advent of the Kodak’s hand-held camera the “Brownie” and the birth of Psychoanalysis at the dawn of the 20^th century. Our ability as individuals to perceive, capture and display images reflects a new autonomy that mirrors the powerful tools espoused by Freud for accessing the mysteries of the self.

The captured image offers us a “slice” of reality that often holds dimensions of the unconscious that shed new light on our realities. Vanessa’s analysis of this rich timeline demonstrates the disruptive power that sparks of inspiration can having in cutting through centralized control and orthodoxy. The stabbing brush strokes of Van Gough, the stark cut-out images of Matisse and the surreal “readymade” objects of Marcel Duchamp all challenge any attempt to create a boundary between the art that we create and the intuitive way of viewing the whole of our lives.

The symbiotic relationship between art and the birth of psychoanalysis comes to full fruit in the work of the surrealists. The creative genius of artists such as Max Ernst and Leonora Carrington made overt use of their dream lives, the unconscious and techniques of automatic writing and free association to bypass the psychic censor and plumb the depths of being. Things then come full circle as Lacan seeks to incorporate the methods of the surrealists within his clinical practice much to the distress of his more staid contemporaries. Sinclair provides helpful insight in noting the way in which the potency of the unconscious disrupts any attempts to control or create new orthodoxies. When conformity and normalization begin, the energy of the cut will not be far behind!

The surrealist use of mirrors and dream-states in their work often reflected a deep fascination with the Double. This doppelganger-double as a reflection of the self often disrupts the encrusted certainties of our ego so that new realms can be explored. Sinclair introduces us to the gender fluid work of Pierre Molinier whose photomontage evoked the complex, overlapping and multiple nature of the self. Such work significantly inspired Breyer P-Orridge and we can see the way in which such “existential playfulness” not only informed their pandrogeny work but also the jarring sonic cut-ups found in the early Industrial noisescapes of Throbbing Gristle and Psychick TV.

Vanessa provides us with an insightful perspective on the heady mash-up between culture and occulture. The spirit of the cut-up and surrealism was manifested potently within the creative hot-house of the Beat Generation (especially Gysin and Burroughs) who in turn famously helped shape David Bowie’s approach to song writing. This is not a “how to” book of occult techniques, rather it is a deeply magical work in reflecting on how seismic change works within the internal world so as to send shock waves through an often stagnant culture.

*Throbbing Gristle, not ones for stagnation*

The magic of the cut is a magic that is profoundly embodied. Sinclair highlights Freud’s view that it is the ego-body through which we first experience the world. The magic of art and analysis invites us to deconstruct and cut-through the constraints of normalization and conditioning in order to recover the whole body sensual liberty of an earlier polymorphous perversity. This decidedly queer territory. The gender focused works of Val Denham, the post-human performance art of Stelarc and wider trends in modern primitivism all point to a more fluid and engaged relationship with our flesh and the impact that our transformative experiments can have on the psyche.

Sinclair’s book skillfully demonstrates the importance of the cut, in its various forms, as a potent approach to transformation for the magician to explore:

“The cut is another royal road to the unconscious. It allows us to dislocate and derail the narrative, so that we may understand ourselves and our past in a different light and rewrite our future in a new way; a way in which we desire to be, rather than the way we are predestined to be based on our histories, families and societies.”

Highly recommended.

Steve Dee

Buy Scansion in Psychoanalysis and Art: the Cut in Creation by Vanessa Sinclair (Routledge 2020)

Coming up next…

Julian is teaching online magic with Treadwell’s Books and has also released a new course on the Deep Magic teaching site: First Steps in Magic.

In this course you’ll encounter the magic of the elemental powers of Air, Fire, Water and Earth through practice, ritual, journal work and guided meditations. You’ll learn how to cultivate the corresponding Four Powers of the Magician; To Know, To Will, To Dare and To Keep Silent. In addition to providing you with a comprehensive training program First Steps in Magic invites you to do things your own way and to develop your unique magical creativity. This course is available at a discounted price for a limited time. Click here for details.

On Sunday 25th April Nikki will be co-presenting an online workshop with Dave Lee on The Structure of Psychedelic Ceremony, click here for details.