Chaos Monk

The prolific Steve Dee has written a third book! Chaos Monk offers an unexpected fusion of New Monasticism and Chaos Magic, demonstrating that it is possible to simultaneously be devout and fully embedded in the everyday world…

Steve writes: This book is an invitation to spiritual intensity. In the face of life’s brevity, it seeks to offer a challenge to consider what truly matters and how we might find skilful means for exploring such a question. As the pace and pressures of daily living seek to crowd out our ability to find space and silence, I believe that those traditions and techniques associated with monasticism provide vital keys for regaining our balance. While some may view such paths as ones of restriction or severity, as we travel together I hope to demonstrate the profound value of what simplicity, faithfulness and accountability might bring us when viewed through dynamic and responsive lens of Chaos magical practice.

This book is a deeply personal one, and unapologetically so. The impulse to engage with the monastic current runs strongly in my veins and it continues to be a deep personal obsession. When I started my spiritual journey at age 10, I was captivated by images of orange clad ascetics from both Hindu and Buddhist traditions. Now, as an adult, I ask: Why do I continue to be drawn to a path that emphasizes asceticism and discipline? What draws so many people to the form of stark spirituality that monastic traditions represent? How might contemporary explorers distil its essential components? This book seeks to explore such questions and describes how my own journey into contemporary magical practice continues to include monastic dimensions within it.

Sitting still is where it all starts. Only by ceasing to move can we gain access to the state of mind necessary to begin moving. Both in our psyches, and in our lives, we carve out a space which is our own to pause, to take stock, to commune with our higher Self. And then, with our feet in the right place, we take the steps necessary towards our goals, in fellowship with our communities. The modern monk constructs their cell within the everyday world.
This book helps to model some of these processes for you. It contains personal examples, historical reviews of Monasticism through the ages, gentle prods to keep things moving, and reflections upon what such a pilgrimage might mean. The alchemy of transmutation applied to the soul takes time, but gives us gold.

“A profoundly beautiful exploration of spirituality, magic and self that I consider to be one of the most important books I have read on the subject in many years. Particularly relevant to this era, Chaos Monk is intellectually satisfying whilst presenting an eminently practical approach. This book examines internal and external realities and the tensions they generate; acknowledging wider relationships that impact upon magical and spiritual development. Referencing Tantra, Thelema, Monastic Traditions, Chaos Magic and psychology, ‘Chaos Monk’ structures a template for the development of a long term, pertinent, spiritual approach to the self and the times, and as such should be an essential component of every committed practitioner and seeker’s library.” Charlotte Rodgers, creator of sculptural art works, writer of books which include P is for Prostitution: A Modern Primer, The Sky is A Gateway Not A Ceiling, and The Bloody Sacrifice.

“An exhilarating journey through chaos monasticism, a mystical practice informed by chaos magic. Accessible and clearly written, yet informed by a deep knowledge of the history of spiritual movements in both East and West, decades of magical practice, psychotherapy and art, this is a book for anyone with mystical leanings who wants to put them into practice. The first part describes the theoretical basis of chaos monasticism, and the second part shows how to put it into practice. Steve offers genuinely original spiritual exercises to help you develop your practice and introduces an element of play into the inner work. He also taps into the important mystical streams of apophatic theology and the dark night of the soul, and offers an exploration of one of my favourite spiritual practices, lectio divina. Other practices offered here include pilgrimage, psychogeography, and pathworking, all of which are great ways of engaging with sacred space and time.” Yvonne Aburrow, author of All Acts of Love and Pleasure: Inclusive WiccaDark Mirror: The Inner Work of Witchcraft; and The Night Journey: Witchcraft as Transformation.

Chaos Monk is a book I’ve been looking for for quite some time as it helps fill an often neglected area in the Chaos Magick approach—Mysticism! Steve Dee has an in-depth look at what a modern day monastic approach to Chaos Magick might look like. He draws from the past and other approaches but ultimately supplies the reader with some practical and useful ways of actually going out and doing it in a modern world setting. His thoughts on Chaos Mysticism, and his approach, ideas, and insights really resonated with me. I can only imagine that there will be a large number of people in the Chaos Magic community who will be well served by this book.” Tommie Kelly, Irish artist. musician, and writer, best known for his oracle deck The Forty Servants.

An Invitation
This is a call to come to the Quiet,
Those spacious places of the deep self.
This is a desert place found by the few
And others may laugh and call your journey madness.
Darkness is here
And only the brave can see that it holds the most brilliant of lights
Come, come my friends,
Come sit with those who are seeking the other side of silence.

Dancing with Abraxas

I have recently been busy doing a cluster of podcasts related to my work as a therapist, the path of Chaos Witchcraft and also my own heretical take on gnostic mythology. This last discussion with the lovely Talk Gnosis channel took me back 5 years to many of the themes regarding dualism and deity that I explored in my book A Gnostic’s Progress. Contemporary attempts to reimagine gnostic practice often get tangled in the dilemma of how literally to engage with primary sources that often seem to be viewing the material realm and the body as being overwhelmingly negative. In both my book and the interview below I try to dig into the existential significance of such mythologies and how they often express the transformational tension we experience on our way to non-dual/less-dual experiences of the numinous and mysterious. Here’s the interview and a relevant excerpt from the book that picks up on these themes:

“In contrast to either creedal formulations or some distant “unmoved mover”, for Jung the God that seemed to encapsulate the endeavour of the gnostic explorer, was that strange bird Abraxas. Abraxas, like Baphomet, is one of those Gods whose queer visage keeps popping up in esoteric lore, while at the same time being very difficult to categorise. Research will provide some insights into the roles that he played/plays within a whole host of occult traditions – this strange cockerel (and sometimes lion) headed being with its serpentine “legs” is viewed as an Aeon by some, and as an Archon or even the Demiurge by others. His number (using Greek gematria) being 365, along with his association with the seven classical planets, connect him to both the round of the year and the physical cosmos.

For Jung, Abraxas represented a movement beyond dualism. No longer is the divine image split into a good Lord and an evil Devil; rather the mysteries of godhead are held within the complex iconography of Abraxas:

“Abraxas speaketh that hallowed and accursed word which is life and death at the same time. Abraxas begetteth truth and lying, good and evil, light and darkness in the same word and in the same act. Therefore is Abraxas terrible.”

The Seven Sermons to the Dead

Cocky God


When one meditates on the most commonly found cockerel headed form of Abraxas, we cannot but be struck by the bizarre chimera-like quality of the image. The body of a man is topped by the head of a solar cockerel (possibly symbolizing foresight and vigilance), while from under “his” concealing skirts, strange chthonic serpents come wriggling forth. This cosmic hybrid seems to be holding together the transcendent and immanent, solar and night side. Viewed through my contemporary lens I am both awed and unsettled by the sense of internal tension that this God seems to embody.

My own attraction to strange gods is hardly new territory – that monstrous hybrid Baphomet has long been jabbing at my consciousness as I’ve sought to make sense of life’s dissolving and coming back together. For me both Abraxas and Baphomet represent something of the core paradox that many of us experience in trying to make sense of the world.

Most attempts at constructing “big theories” (metanarratives if you like) are designed to make sense of the universe that we live within. The success or failure of any such world views seems to be largely determined either by their followers’ ability to manage nuance and complexity, or conversely their naivety and willingness to block out new information. However, for those of us who are seeking to promote some form of cognitive liberty, it seems inevitable that at some point we are going to have to develop deeper strategies for managing complexity, paradox and the types of uncertainty that such realities often give birth to. (See also this.)

We have previously considered the way in which the duality and tension that exists within many gnostic myths potentially trigger the awakening of consciousness; and in many ways these iconic images of Abraxas and Baphomet are little different. The juxtaposition of apparent opposites and the sense of movement that they contain speak to us of dynamism and process rather than fixed Platonic certainties. Whether via weird cosmologies or shape-shifting iconography, these gnostic riddles push us to the edges of comprehension and certainty. In seeking to engage with such material we often experience a profound unease and yet for the intrepid explorer such discomfort can trigger the types of “strange loops” that arguably enable the evolution of consciousness.”

My own exploration is far from merely academic, and I conclude A Gnostic’s Progress with this invocation  to she/he/them:

I call to you O dweller on the knife-edge,
Ambidextrous God,
Both hands, both paths:
A Shadow God, in the half-light of the pre-dawn,
Cockerel headed,
Rooting us in darkness and showing us the Sun.
Skirting Mysteries as Serpent legs
Move in and out of sight.
Creator, destroyer, begettor, purveyor of half-truths
That hold Wisdom still.
I think I know you,
And as I breathe in,
A Serpent tightens-
Wrapped thrice point five around my spine.
Breathing out
Silent Sophia beckons:
A deeper night, whose threshold you safeguard.
Hail to thee O great Abraxas
Whose glorious horror haunts me still!

For the podcast lovers amongst you here’s the link to Dr Vanesa Sinclair’s amazing “Rendering Unconscious” podcast in which we get all therapeutic: 

And here’s a reflection of the path of Chaos Witchcraft with the beautiful people over at “Queer Chaos”: https://www.queerchaospodcast.com/episodes-1

Steve Dee


Coming up soon…

Julian has got a bunch of workshops coming up with Treadwell’s Books. All sessions happen in Zoomland and run from 19:00-21:00 UK time. You can opt to join the workshops live or catch up with the fun at your convenience with a delayed viewing ticket.

The Magical Qabalah 28 October
In this workshop Julian Vayne takes attendees through The Qabalah, a core magical system of the modern Western Occult Tradition. The class examines Qabalah from its origins in Jewish culture, its use in the The Hermetic Order of the Golden Dawn, to its appearances in the comics of Alan Moore, and its ‘dark side’ the qliphothic shadow tree. Participants come away from the workshop with a knowledge of the structure of the Qabalah, and with practical techniques to take them deeper into its mysteries. This session is suitable for people who are new to this system and for those wishing to develop their practice.

Queering Baphomet 11 November
‘Baphomet’ is a half-heard whisper of heresy among the Knights Templar, a heavy-metal icon, a French alchemical symbol representing the union of opposites —  but is always more, always undefinable. In this workshop, Julian Vayne explores Baphomet as a queer ‘Deity without a Myth’ who embodies ideas including gender fluidity, disability, and the totality of the life force on earth.  There is also sharing discussion and hands-on magical practice, so attendees by the end feel prepared to work magically with Baphomet as patron and ally. Julian is co-author of The Book of Baphomet.

Street Sigil Sorcery 25 November
Gods at zebra crossings, chthonic deities in cement subways, sigils in the graffiti. Julian Vayne presents practical techniques for working magic in modern cities. This class teaches ways to connect to local spirits of place, how to tap into the psychic power of the urban jungle, and how to perform ’empty handed’ spell techniques that don’t require ceremonial paraphernalia. Attendees will learn to use their phone for magical work, methods to protect themselves from damaging energies in the metropolis, and how to develop their spiritual practice in the hustle and bustle of city life.

The Sun at Midnight 09 December
This workshop-ritual is dedicated to preparing for the longest night of the year Julian Vayne shares magical techniques for nourishing the soul, which help transmute suffering into alchemical gold, and leads the group in an online ceremony to encounter the magic in the season of darkness, ahead of a rebirth of the sun and of light. All are invited to sit around the virtual hearth, feast, chant, laugh and cast intentions into the cauldron of 2022.


The Deep Magic First Steps in Magic course remains at it’s super low price and provides a great introduction to the Core Magical Skills course which was featured in the delightful Wyrd Magazine.

The excellent Dave Lee is also offering a range of classes, self-directed, in-person and online. Visit Dave’s Chaotopia website to find out more.