A Mindful Mass to Sophia

In a recent interview that I did about Chaos Magic and Gnosticism, the interviewer was keen to understand more about the process of ritual creativity that Chaos magicians often engage in. For me personally I am engaged in an on-going journey of exploration, research and poetic inspiration as I seek to make deeper sense of the material that I’m digging into.

Anyhow, I thought I’d provide a recent example of such ritual practice that probably gives you a feel for how we go about such work. Such ritual outlines are not meant to be prescriptive; rather they are serving suggestions to inspire your own innovation and creativity.

The purpose of this ritual was to creative a ritual environment in which the concept of divine wisdom could be explored via the Gnostic figure of Sophia. Via the use of both poetry and meditative technologies, we were seeking new insight regarding holy wisdom and a sense of deep listening as to how future work should proceed.

Wisdom hath builded her house, she hath hewn out her seven pillars

Wisdom hath builded her house, she hath hewn out her seven pillars

Opening with singing bowl rung in the 8 directions.  

“We begin in Silence and Space

The realm of the Pleroma

The marriage of Darkness and Light.”

8 Breaths taken together.

“In the pregnant space of reflection

Wisdom is born

Glowing deep blue against the blackness

Silver Star points glow

As the holy Aeon descends

And gives birth to life.

Selah

20 minutes Mindfulness practice – using awareness of the breath as an anchor for awareness and gently surrendering thoughts, feelings and bodily sensations as they arise. 

“Wisdom makes manifest

An outflowing of the multiple and the complex

The Craftsman makes the World

Soul glows and breaths:

“I was sent forth from the power,

and I have come to those who reflect upon me,

and I have been found among those who seek after me.

Look upon me, you who reflect upon me,

and you hearers, hear me.

You who are waiting for me, take me to yourselves.

And do not banish me from your sight.

And do not make your voice hate me, nor your hearing.

Do not be ignorant of me anywhere or any time. Be on your guard!

Do not be ignorant of me.

For I am the first and the last.

I am the honored one and the scorned one.

I am the whore and the holy one.

I am the wife and the virgin.

I am the mother and the daughter.

I am the members of my mother.

I am the barren one

and many are her sons.

I am she whose wedding is great,

and I have not taken a husband.

I am the midwife and she who does not bear.

I am the solace of my labour pains.

I am the bride and the bridegroom,

and it is my husband who begot me.

I am the mother of my father

and the sister of my husband

and he is my offspring…..

I am the silence that is incomprehensible

and the idea whose remembrance is frequent.

I am the voice whose sound is manifold

and the word whose appearance is multiple.

I am the utterance of my name.”

(Excerpt from Thunder Perfect Mind.)

Trance drumming.

During this ritual we had three drummers all using the technique outlined by Michael Harner, where trance is induced through the use of a consistent drum beat of around 200 beats per minute.

After the trance period and drumming ceases the following words are spoken:

“The many forms beget Joy

But also the forgetting of our original face,

We give thanks for these moments of stillness and remembering!

Wisdom calls:

“Does not wisdom call out?
Does not understanding raise her voice?
At the highest point along the way,
where the paths meet, she takes her stand;
beside the gate leading into the city,
at the entrance, she cries aloud:
“To you, O people, I call out;
I raise my voice to all humanity.
You who are simple, gain prudence;
you who are foolish, set your hearts on it.
Listen, for I have trustworthy things to say;
I open my lips to speak what is right.
My mouth speaks what is true,
for my lips detest wickedness.
All the words of my mouth are just;
none of them is crooked or perverse.
To the discerning all of them are right;
they are upright to those who have found knowledge.
10 Choose my instruction instead of silver,
knowledge rather than choice gold,”

(Proverbs 8 1-10.)

Close with three bells.

SD

 

In my recent post I mentioned the concept of ‘soul making’. This notion appears in a number of contexts. One of the earliest is in the Ireanean theodicy inspired by the work of Saint Irenaeus, the second-century philosopher and theologian. The Ireanean view is that creation happens in two stages. This process requires the existence of suffering and evil, making the world something akin to schoolroom for the soul. The creation of a soul is the work of humans, their aspiration being to become perfect and like God.

Soul Brother

Soul Brother

This ritual grows out of a desire to explore these ideas, concepts related to the tension between the (theoretical Platonic) perfect creation and the (apparently) flawed world of the Demiurge. Through this meditation, this trance and these words we have a space to encounter imperfection, suffering, pleasure and those other abstractions that so fascinated the ancient Gnostics.

Soul making also appears as an important concept in the work of psychologist and Jungian analyst James Hillman. The Wikipedia entry for Hillman nicely summarises this:

The poetic basis of mind places psychological activities in the realm of images. It seeks to explore images rather than explain them. Within this is the idea that by re-working images, that is giving them attention and shaping and forming them until they are clear as possible then a therapeutic process which Hillman calls “soul making” takes place. Hillman equates the psyche with the soul and seeks to set out a psychology based without shame in art and culture. The goal is draw soul into the world via the creative acts of the individual, not excluded [from] it in the name of social order. The potential for soul making is revealed by psychic images to which a person is drawn and apprehends in a meaningful way. Indeed the act of being drawn to and looking deeper at the images presented creates meaning – that is, soul.

Thus this ceremony is an encounter with this Gnostic ‘realm of images’ and, critically through drumming, emphasising the encounter as a somatic as well as intellectual event. This is Gnosticism but one that includes, rather than rejects, the world of the flesh. Fathoming suffering and the vicissitudes of life not as the result of a Fall from grace but perhaps as a necessary proving ground for the unfolding of a divine Self.

JV

To Duality, and Beyond!!!

When my children were very small, they were supplied with a set of cards by a well-meaning relative, of ‘Opposites’. Up Down, In Out, Hot Cold, Dark Light, Soft Hard, etc. The pairs were illustrated so that the concepts could be appreciated by pre-reading minds, and locked together uniquely.

We spent many happy hours with these cards, discussing carefully how they were misleading and that most adjectives/adverbs indicate relative qualities, on a far wider spectrum than could be depicted by two sample points. Take temperature; ‘hot’ was illustrated by a sunny summer day, ‘cold’ by snow. However on a cosmological scale, a sunny day (say 25oC) and a snowy day (about 0oC) are incredibly close together, with ‘naturally occurring’ temperature ranging from close to the absolute zero, a nebula at -272oC, up to 99,999,999,725oC in the heart of a newly formed neutron star.

Looked at in relation to this scale our instructive ‘hot’ and ‘cold’ examples appear ridiculous.

However!

Please, do not think I mocked the examples given in the set of cards, nor derided their usefulness and practicality. As comparative terms, ‘hot’ and ‘cold’, ‘up’ and ‘down’, ‘in’ and ‘out’ are vital to the functioning vocabulary of a growing child.

My objection was the forcing of these terms into a concept of ‘opposites’.

Of course, when addressing my babies, I used different terminology and examples. They had inadequate knowledge of the universe to talk of neutron stars and nebulae (unlike our far more educated readership here at the Blog).

So, now we have had a nice easy access lead-in story, the moral of this blogpost is, that we have choices we can make when presented with apparent ‘opposites’.

As with the trite example of temperature, we can opt to see things as points on a scale. Degrees of difference. Even adding a third axis of comparison, where the setting of a thing defines how it gets conceptualised; a nice recent example of this comes from marketing research.

This research tells of how people in high arousal states prefer simple, clear messages, presented as statements. “This laundry detergent gets clothes very clean.”

People in states of low arousal were more engaged by messages presented as questions, leaving room for them to add their own thoughts to the product the company wished to sell. “Does your laundry detergent get clothes as clean as this one?”

And thus, we have context dependant meanings of comparatives, which can even reverse their effectiveness under certain circumstances.

In this example, the different methods of addressing the audience are not just different in themselves, but are effective dependent upon the audience’s state. (Which state are you in right now? Would you prefer me to ask you philosophical questions, or give you pre-processed facts and opinions?)

Other options are always available

Other emoticons are available

Storytelling, as I began this blogpost, neatly provides us with the option to take either perspective. We can go along with it as ‘fact’, whilst if we have the inclination, we may reflect upon the tale and ponder ‘questions’ it raises within us. Perhaps storytelling points towards another alternative to the binary options of ‘fact vs opinion’?

Moving out of the confines of dualistic binary choice thinking, can result in some wondrous creativity. Try it for yourselves; here are a few starter pairs of words which often get presented as if they are exclusive, oppositional, and/or absolutist:

Me Them

Internal External

Personal Communal

Good Bad

Active Passive

Right Wrong

Happy Sad

WARNING! Listing ‘pairs’ of words like this produces what I shall refer to as the Lévi-Strauss effect (this has nothing to do with jeans, check out Wikipedia if you need to know who Claude L-S was…).

One could argue that listing things, especially visually like this in columns, can create artificial categories, associations, and links in the human mind, which is largely geared towards seeing patterns (even when they don’t really exist). So by placing a certain one of each pair first as we read, we privilege that information, as position implies to our narrative constructor that these ‘first column words’ are in some way similar… and even, more important and therefore valuable.

Meditating upon such matters shows us ways to navigate the simple, childish version of reality we are encouraged to inhabit. It takes time and some effort, as do many worthwhile things. Consider other points on the linear scale that each pair indicates, wonder how the 3D version of comparatives might appear as well. Austin Osman Spare’s exercise which urges one to consider the ‘opposites’ of black and white, to imagine their combination (grey), and then the ‘opposite’/pairing to the combination; this can propel the mind into non-duality quite rapidly. The instruction is then to apply the same methodology to other ‘extremes’, in order to escape standard patterns.

These distinctions between pairs, opposites, comparatives, scalar quality identifiers, are incredibly relevant to our concepts, definitions, and behaviours of self. A basic distinction between the duality of Self and Other is key to most lifeforms, else how would anything know what to eat? Sensorial perception of the external environment tends to go pseudopod in tentacle with a rudimentary mental map, which can model constructs of that environment internally, and base behavioural decisions upon that internal map.

This is not to be confused with self-awareness in the sense of consciousness, btw.

This Self/Other construct is deep. Whatever arbitrary markers we might be provided with in order to distinguish between Them and Us, alters all our emotional (and hence behavioural) responses to those marked.

Within any relationship we tend to define ourselves in contrast to the Other. Ramsey Dukes wrote an excellent essay on this topic in What I Did in My Holidays: Essays on Black Magic, Satanism, Devil Worship and Other Niceties.  He uses the way couples tend to split into paired traits/behaviours, so one takes on the fiery more provocative role, while the other is calmer, cooler, and shows restraint instead of rushing into things. Such stereotyping of roles gets enhanced, as each partner acts more extremely in type, one desperate to provoke some, any, kind of reaction, while the other becomes ever more glacial and reasonable in the face of irrational anger.

As Mr Dukes points out, this process is not always helpful to a continuing healthy relationship. Each of us has fiery and icy aspects (as well as others), which need expression to allow for a rounded complex of personalities.

I would suggest, that one could imagine cases where a person stuck feeling mainly one emotion continuously for years is likely to present with health issues, both mental and physical (another ‘pair’ of ‘opposites’, which I like to spend much time and effort blurring the boundaries of in my writings).

A healthier couple then, might deliberately play at switching being the stronger, the desired, the ideas person, the carer; remembering throughout that these too will pass, and that other options (including both acting the same role) are always available.

To sum up; much of magickal thinking/perception relies upon removing received linguistic categorisations from the world, perceiving directly what is there/here (gnosis), and then returning to a state of ‘normality’ slowly enough to reassemble those linguistic categories in a potentially novel way which might allow for fresh emotional responses to existing environments, and hence affect behaviours. Also, magickal thinking allows us to play with altering shifting these concepts along linear or other shapes of scales, within the confines of a smaller area (the magic circle), which we can successfully get our heads around a subset of what the universe has to offer, before trying out such engineering on the wider world.

Using the chaosphere as our scale we can try to expand greatly upon the simplistic duality line, attempting to find eight ways of measuring/comparing e.g. the physical quality of temperature, or moods of various flavours. These could, or could not, correspond to the existing conventional eight colours of magick (which are the conventional planetary groupings). As with many spurs to creative thinking, going beyond a single solution into multiple answers creates further outside-the-box imaginings. (So, eight here is arbitrary, chosen merely for sake of familiarity, and to provide a starting pictorial symbol. You can of course make up your own, which could be 3D in nature, like the tetrahedral arrangement; which for me always brings to mind the ancient defensive weapon, the caltrop.)

Next, I would like to extend the microcosm to the macrocosm, and ask if our tendency to compare and contrast applies on this wider stage. And if so, does that help anyone?

As groups, we identify and think in analogous ways to those described above for an individual person. The process is less localised, and often slower to emerge, but broadly speaking similarities can be observed.

This insight has great power.

Magick, the act of changing the environment in accordance with one’s Will, has no more important aim than this, the amazing ability of our species to be thoroughly self-aware, as individuals, and as groups.

Could magick, the act of changing the environment in accordance with one’s Will, have any more important aim than this, to use the amazing ability of our species to be thoroughly self-aware; both as individuals, and as groups?

NW