Ritual technology | The Blog of Baphomet

In my most recent book The Heretic’s Journey: Spiritual Freethinking for Difficult Times, I spent time exploring how the Surrealist movement embodied a radical form of self-exploration in their philosophy and the artistic expression for which they became so famed. What follows in a short excerpt and ritual exercise from the book for you to play with:

Whichever media the Surrealists worked in (Painting, poetry, drawing) one of the consistent themes that runs throughout the School, is their desire to work more overtly with the unconscious aspects of self. We have already considered the prevalence of dreams and dream-like states in the work of occult inspired artists such as Ernst and Carrington and the way that their work often used the juxtaposition of strange, jarring images as a way of articulating often pre-verbal themes that emerge from the deepest dimensions of being.

The Surrealists were renowned for their inventiveness in developing a vast range of artistic techniques and strategies for seeking access to the creative dimensions of the unconscious self. This involved everything from relief rubbings (“frottage”), automatic painting, the creation of dream resume and the artistic use of old parlour games such as Exquisite Corpse. One of these techniques that the surrealists utilised to great effect was that of collage.

Collage (from the French coller, “to glue”) is a technique of assemblage in which the artist brings together a number of different media and pulls them out of their original context in order to create a new reality in which radically different ideas and textures can overlap, contrast and interact in the eye of the viewer. Historically while examples of collage can be found in 10^th century Japan and in the Cathedrals of Medieval Europe, in relation to its use in Modern art, it is generally agreed that it was primarily developed in the works of Georges Braque and Pablo Picasso from 1912 onwards.

Max Ernst’s artistic expression was hugely innovative. He is credited with the invention of the frottage technique and also made use of other approaches such as decalcomania (pressing paint between two surfaces). While Ernst worked in a wide range of media his work with collage is especially inspiring. In works such as his surrealist novel Une Semaine De Bonte: A Surrealist Novel in Collage (1934) we witness his exploration of the jarring and animalistic dimensions of self. As Ernst himself observed regarding his often absurd combination of images, objects and text, they “provoked a sudden intensification of the visionary faculties in me and brought forth an elusive succession of contradictory images… piling up on each other with the persistence and rapidity which are peculiar to love memories and visions of half sleep.” (Quoted in Ernst by Ian Turpin pg. 7)

Cutting things up with Uncle Max

Within his collage and his work more generally, Ernst repeatedly utilizes the symbol of the bird as a representation of himself. He named this avian manifestation of himself “Loplop” who he saw as the “superior of the birds”. When viewed through a more occult lens, I am struck by the potential parallels between these images and the concept of the Witch’s familiar or the animal aspect of the self, referred to as the “fetch” in Norse soul lore. Via its window into the darker, unconscious aspects of self, collage provides a means through which strange and even macabre images can provide insight to our own process of self-understanding.

Exercise: The Witch’s Collage

I will state at the outset that there are a myriad of ways of working magically with collage, and I offer this exercise as but one example (albeit a creative and tested one!) for intrepid explorers to utilise. Unlike their more randomized Postmodern cousin Cut-ups, collages seek to work more deliberately with aspects of the unconscious from the outset of the artist’s project of creation. Hopefully having begun a process of reflection regarding your heretical inspirations, as we begin this activity, the images, symbols and colour associations will begin to bubble to the surface!

To provide you with a bit of structure you might want to follow some of the following steps:

Find the images and symbols that you feel capture the essence of your journey into heretical freethinking. Don’t be weighed down by the expectations of others! If cartoon heroes or industrial noise musicians do it for you include them alongside more standard spiritual symbology.
Assemble art stuff. At a minimum you will need scissors, glue, pens and pencils. Coloured paper of differing textures work and you may want to incorporate pieces of text. Your imagination is the only real limit here! Make sure you have a large piece of paper or card (A3 or bigger) so that you have enough space to stick your stuff onto.
Find a space that you feel comfortable in. Ideally you should be able to spread your images and materials out so that you can see the possible directs that your collage can take. Personally I like having some music on to inspire me and I usually need a minimum of 45 minutes to an hour to let the collage take shape. Having a time limit can also be helpful for this specific exercise in that provides an end point rather than having to struggle with that sense of not knowing when you’ve done enough.
Like the approach of sleep, light hypnosis and some meditative states this work will be best approached with a sense of playfulness and a desire to not take it too seriously. Let your eyes move over your assembled materials and images and simply begin. You can’t get this wrong and your images and textures will build up during the duration of the work.
Often our results can surprise us. What I love about collage is the way in which it can have various pockets of activity and interest. Our eyes may be drawn to one thematic cluster only to realize that there’s something really interesting in another part of our work.
When our collage is completed, we can put it to any number of ritual uses. I often place mine in the corner of the house where I meditate and do ritual work. This allows me to come back to it repeatedly and spot emerging themes.
Given the connection between collage, the unconscious and the realm of dreams, one interesting practice could involve placing your collage under your bed or pillow prior to sleep. Spend some time before sleep meditating on your collage and let the interplay of images and textures enhance your nocturnal journeying!

Here’s one I made earlier 🙂

Steve Dee

Events update…

There are still a few places available for Julian’s workshop on Sigil Magic in London on the 27th of July at Treadwell’s Books.
You can also join Julian for a Magical Words workshop at The Museum of Witchcraft & Magic in Boscastle, Cornwall on Saturday 31st of August.

Details of both workshops can be found HERE.

Breaking Convention: 16-18 August 2019, London, UK

Nikki and Julian will be at Breaking Convention, Europe’s largest conference on psychedelic consciousness. This is set to be an epic event. As ever Breaking Convention brings together under one roof scientists, medics, artists, shamans, and many more at one of the most intellectually rich and inspirational gatherings in the world. Highly recommended! Book your tickets HERE.

deep title 1

Nikki and Julian will be running Deep Magic camps and retreats in 2020, bringing together freestyle shamanic techniques and wisdom from indigenous medicine traditions. To find out more please ping us a message letting us know a little about your spiritual practice and experience with altered states of awareness. These will be intimate, powerful, accessible and transformation events. We hope you will join us as we go deep into the magic! Ahoy!

We were happy to be asked to conduct a solstice eve ritual as part of a series of events at The Cube Microplex in Bristol, a marvellous community enterprise. Because we were in a cinema venue, we made use of the medium of film, and thought that you might enjoy seeing what we did; the YouTube version does require a little advance preparation, though nothing too taxing (find an orange and a candle).

Basically…

• Get an orange and a lit candle
• Start film
• As the stars twinkle, shake off unwanted energies
• When you see the sun, reach out your arms, feeling into the space around you
• Think about the sun
• As the sun sets over the city, sit and think about your year, from the heat of summer into the darkening evenings of the autumn
• In the dark the candle flickers, and you focus on the Here and Now
• The sun returns!
• Celebrate by eating your orange
• As the twinkling stars appear again, move around, make joyful noises

Detailed instructions:
1. Read through these instructions first, before pressing play at 22:08pm UT on the 21/12/2018.
2. Find an orange. Place it near the screen.
3. Find a candle, put it where you can look at it, and light it.
4. Turn off the other lights in the room.
5. Stand up, shake it off! Flick away all that yucky energy, making way for a cleaner you. Take a couple of minutes to gently stretch out.
6. Reach out with your arms, like the branches of a tree swaying in the breeze, sensing the air flow which brings with it information, molecules of knowledge.
7. Think about the Sun, whose birthday this is. Take some time on this process. Such an amazing phenomenon deserves our full appreciation! Here are a few facts (you can of course research more of your own in advance). E.g. Third generation star, very big, burns 600 million tons of hydrogen every second, the sun isn’t made of coal (as the Victorians thought), a photon can take thousands of years to emerge from its creation point in the central nuclear fusion zone to the outside, from where light takes 8 minutes to travel across the cold vacuum of space to our rock, the jets of gas which flare off are larger than our Earth… etc.
8. As the sun appears over the city skyline in the film, take a seat. Recall your summer past, a moment when the sunshine was super powerful. A field, with plants grabbing the carbon out of the air, to build amazingly complex structures out of which us animals can eat. Remember the feel of the heat on your skin.
9. The clock ticks. Bring that warmth, that intense light, inside you. As the sun sets, and we hear the sounds of city traffic, focus on your breath. On your heart beat. On the internal warmth of your body, your life as a creature in a house, with other creatures around with whom you have relationships, with whom you might like to visit.
10. Feel the dark around you. Bring to mind the sparkling of lights, the immensity of starry skies.
11. As night falls, watch the very tip of the candle flame; it contains millions of microscopic diamonds, forming and burning up with every moment.
12. The screen fades to black for the astronomical moment of the winter solstice, at 22:23pm UT. For this one minute, focus your attention on the world you can directly sense. The feel of your body on the ground, the sound and movement of your breathing, the heat generated within you. The sensations of the air as it moves in and around you.
13. The candle flame represents a portion of the sun’s energy. It represents the Now, the present portion of eternity, the only moment in which we can Do.
14. (By bringing our attention to this fact, we collectively empower our abilities to choose, to decide, to behave, to recognise we are free of the habitual stories of the past and future, the standard narratives which we blindly follow for the sake of convenience.)
15. As the light and sound return, when you feel the urge, pick up your orange. Hold it in your hand.
16. Behold! This is the solar globe in microcosm, a shining orb of orange, solar energy made matter.
17. Consider the orange; how it arrived where it is. The journeys it has taken. The people who cared for the tree it grew upon. The hours of sunlight, the rain that fell to water it. And then back, to the seed this tree grew from, then the tree before that, and on and on, with all the people, the land, the sunlight, the rainfall. All those thousands of years passed through, by all those moments, all those individual photons falling out of the sun star, through space, to our rock, creating this object.
18. Celebrate your knowledge of these moments which make up eternity by peeling and eating the orange.
19. Finish by dancing about a bit, putting the fairy lights on, waving some tinsel or whatever makes you smile.