Stirring the Cauldron

Julian and I were recently chatting about our own initiatory experiences that related to undertaking intensive periods of magical practice and training. In this case it was Liber MMM from Liber Null and Psychonaut:

Me: “How’s Bob getting on with MMM?”

Julian: “Yeah pretty well, lots of great diary work but things do seem to be unravelling a bit for him personally…”

Me: “Do you know anyone that this process hasn’t shaken-up in a major way?”

Julian: (thoughtful pause)…ah,…No, I guess that’s what it’s supposed to do!”

It seems my Christian friends were right, Magick is dangerous. These technologies are designed to plunge elbow deep into your unconscious and give it an almighty stir. As much as results magick might produce quantifiable change “out there”, it seems undeniable that the major locus of magickal activity and change is “in here”, “in consciousness according to Will” (Dion Fortune). If it’s stability you’re seeking stay away from religious and spiritual traditions that have a major magickal component (and that’s most of them) – you’re only going to upset yourSelf.

Fiire burn and cauldron bubble...

Fire burn and cauldron bubble…

This stirring of ourselves potentially disturbs not only material that we may have supressed into our personal unconscious, but it may touch upon shared ancestral memories. None of us come into the world as blank pages, we come with the genetic load of our ancestors and are we are born into cultural settings that define us from the very point of conception. As we engage in the type of transformational work that most magical curricula lay out it seems likely that we will need to address issues “within” ourselves, but also relationships and the contextual conditioning that have shaped the self-image with which we are currently engaging.

Personally I think being upset can be a good thing, temporary abandonments of apparent sanity (whatever that might be) allowing us to avoid complete melt down. Magick often provides the psychological equivalent of dynamiting the San Andreas’ fault to prevent a major earthquake. Such a metaphor does however raise the question of how much explosives to use!

During my own involvement with magick there have been definite periods where I have experienced a type of Gnostic burnout or overload where I have had to take my foot “off the gas” and seek far gentler pursuits. In many forms of psychotherapy (my day job) one of the primary dialectics that need to be held in tension, is that which exists between acceptance and change. If all therapy does is accept, it will never be truly healing, and if all it does is ask for change without truly listening to reality as it is for the client, then it is both an imposition and a misuse of power. How, in my spiritual life, can I access this place of acceptance rather than bleeding myself psychically dry through endless sorcerous “doing”?

All this has got me thinking about the wisdom of spiritual paths that seek to view magic as part of a more holistic sadhana or spiritual practice. My own development has been greatly inspired by the fourth Way work of Gurdjieff, and Ouspensky that seek to harmonise the path of gnosis (the way of the Yogi) with that of the embodied wisdom (the way of the Fakir) and also the bhakti path of devotion (the way of the Monk). At the risk of sounding like a bad chaos magician I wonder whether the pursuit of magick outside of a spiritual or religious context is sustainable or even desirable. Perhaps what I’m grappling with is the importance of having a symbol set that has been deeply internalised, so that when our self-induced shape shifting intensifies, we have a psychic map via which we can get a better sense of our bearings.

Even when armed with such portentous warnings, we can still end up flattened by the spiritual shock waves that focused spiritual activity can induce. During my own work with Liber MMM over 5 years ago, I undertook an intensive piece of devotional work connected to the dark mother figure Sekhmet from the Egyptian pantheon. My motivations for undertaking this work were complex, but needless to say that after a prolonged focus on this wrathful, lion-headed goddess I ended up feeling both devoured and dismembered. I felt emotionally hollowed out and was psychologically confused to the extent that I took a several month leave of absence from the magical group with which I was working.

Surviving such spiritual crises can be a tricky endeavour, but I think that the following factors were helpful in helping me find a way through:

  1. Magical colleagues who were wise enough not to pressure me and were able to normalise my experience. Whether framed as a “dark night of the soul” or an abyss type experience, periods of disorientation and psychic exhaustion are exceedingly common for those pursuing paths that use radical means. Having a network of supportive chums telling you that you will get through it helps.
  2. Returning to core practice that sustains you. When I felt broken, I returned to stillness and bodywork. Mindfulness meditation and gentle yoga practice allowed me to ground myself again rather than seeking to extend further via more active sorcery or divination.
  3. Letting go of the project. The “lust for results” can be as much about the project of self-improvement or awakening as it can be about sorcery. Sometimes we need to lean towards accepting things as they are rather than continually pushing for change. Paradoxically, it often feels that when we slip into that “neither-neither”, non-dual state of awareness and rest, that a new sense of freedom and openness can be experienced.

 SD

The Spirit of Albion

The British Isles, the place where I was born and where I live, is a magical location. Though I’ve been fortunate to travel in many lands (through deserts, great forests, volcanic zones, futuristic cities, titanic mountains and more) this group of islands is the place I call home. In recent weeks I’ve been able share my landscape, specifically the south-western part of Britain, with a large number of excellent magicians from several European nations, the Americas (North and South) and magical colleagues from as far afield as the antipodes. In addition to participating in a series of intense magical workings I was also able to introduce folk to the wonders of Glastonbury in Somerset, and for a few guests, some of the delights of Devon and Cornwall.

One of the many magical mounds of Britain

One of the many magical mounds of Britain

Naturally each landscape and culture has its own magic, its own special properties. In the case of Britain it seems to me that this is a land where cultural streams meet, merge and give rise to new forms. This is hardly surprising. As an island nation many peoples have visited and settled here, creating a cauldron of creative possibility. The development of new music styles is one area in which Britain excels, as is the creation of new forms of esoteric or spiritual practice. Modern Druidry, Thelema, Chaos Magick and Wicca are now world movements and all of these traditions crystallised first in Britain before expanding from here to the four-corners of the earth.

At this recent gathering of magicians one of our aims (especially for the British participants) was to reclaim our native traditions and iconography. Symbols that have typically been appropriated by saccharine recensions of new age and Pagan culture: fairies, folk dancing, dragons, unicorns – you get the picture.

The question ‘what is British-ness?’ looms large in our national psyche but perhaps it is this confusion that allows such a creative spirit to flourish here? The British are a mongrel people, a genetic and cultural cut-up. We love our fish and chips (made possible by the new technology of the railway) as much as we love our curries (made possible by both the imperialist project and the immigration of Asian people to these islands). Our flag itself is a hybrid of many nations (though usually drawn without the Welsh dragon, which would make it much more exciting in my opinion). In an effort to make sense of this cultural morass people wanting to become residents get to take a government administered test to ensure they grok a State-validated idea of Britishness.

A fusion of flags

A fusion of flags

The folk and esoteric traditions of Britain are likewise composed of many little snippets of memory, custom and myth. We glue these together, creating modern revivals of ancient folk rites (a favourites from my region is The Hunting of the Earl of Rone) and sometimes whole new religions like Wicca. Like the motley shamanic-style tattered coat of the Morris dancer, the ragbag of British culture is sewn together to form one (continuously changing) garment. Given this behaviour it’s hardly surprising that a magpie-style of occult practice – chaos magic – should have first emerged in these isles.

I’m deeply honoured to have been part of this recent Gathering of magicians. Not a little relieved that the capricious British weather was kind to us, and cheered by the many little ways in which the native traditions of Britain were shared with my magical siblings.

As is often the case when we see things from another perspective we understand more fully. Sharing my landscape with my magical Brother and Sisters from abroad certainly helped me appareciate the native traditions of my place that much better. This understanding is a reminder to myself. That all the little details of life, of custom and belief, are like the fairy folk themselves – tiny and mysterious, powerful and ubiquitous, and all but impossible to pin down. And when they combine they give rise to that Great Spirit of this wonderful land in which I live.

JV