Being a human often involves the construction of stories. In trying to make sense of our own lives, those of other beings on the planet and the Universe more generally, we create narratives to help us order what might be going on. We respond to the information we receive and fuse it with our existing perspectives in order to make decisions about how we wish to live and the potential risk things pose to our current experience of being alive. Most of this time we do this amazing work without even knowing that it is going on, but sometimes we have moments when we realise that we are doing it, and that we might want to make conscious changes to our method and style.

Most religious movements and schools of philosophy lay claim to providing tools for waking us up from the automatic reliance on assumptions. The process of becoming aware of the lenses we rely on for viewing the world can be both shocking and disorientating as we try to incorporate any new insights gained. The problems for most religions come when the incoming of new, enlightening knowledge (Gnosis) begins to disrupt the presuppositions that they themselves rely on e.g. that God either doesn’t exist or is radically different from how they were initially understood to be.

Sapere aude!

Many of the posts on this blog are penned with a view to promoting a process where we begin thinking about how we think and consider the risks involved in stepping outside the lines of received orthodoxy. If we start to question “received truths” and embrace the heretic’s path of choosing our own way, then we must realise that we will increase discomfort for both ourselves and those around us. For the freethinker, to refuse to question is often an even less desirable, stultifying path, but we would be naïve if we underestimate the disruptive force of heretical thoughts and behaviour.

Part of the creative, disruptive power of the heretic, is that they take existing received truths and they bend them. It would be bad enough if we adopted an antithetical position, but the fact that we take an image or language and inject it with a new, nuanced or odd meaning, truly infuriates those seeking to maintain their monopoly on perceived truth. The gnosis of the heretic triggers a creative process in which their artistry reveals strange variants of reality. While on one level we reject the easier answers of Faith, we often retain a symbiotic relationship with those beliefs and images. In our heresy we internalise these ordered creeds and transform them in to something both far stranger and more interesting.

For me, the adoption of such bold new readings allows the possibility of inhabiting a place of greater spaciousness that often feels more congruent with the lives we wish to live. Such territory is often at the outer edges of familiar maps and requires a level of wit and will that many of us experience as demanding and exhilarating in equal measure.

While each of us need to discover our own optimum means for accessing spaces of cognitive liberty, I have noticed that my own is often facilitated by allowing apparently disparate sources to sit alongside each other. I have been aware of my own journey in allowing the different aspects of my personal religious history to dialogue with each other. The Witch and the Cleric have been sitting down together for a beverage and conversation in the hope that new meaning might be discovered. All too often I have tried to rush them in the hope of a tidy resolution, but thankfully they have resisted my efforts!

In seeking to allow the unique parts of my own story to have a voice, I have often found more help in dreams and art than I have in theological concepts and reformulations. Of course I find great value in thinking and writing, but they often face the danger of overly concretising those states that are more subtle, subjective and sensed. In seeking to resist the urge to prematurely reconcile, synthesise or harmonise this multiplicity of voices and ideas, I have often found that artistic experimentation within a ritual context is a powerful tool.

Occult art experiment

While others may gain greater stimulus via extended textual analysis and linear debate, on their own these have not been enough to allow me to access the type of psychological integration that I long for. The Queer and transformative states that I need in order to challenge the bulwarks of orthodoxy in my own life, have been found more readily in the images of Abraxas, Baphomet and N’Aton than in attempts at systematic theology. For me these part-made gods embody the ongoing dialogue between idealised androgyny and the complexity of Queer experience. The Queer aspirations of “Postdrogyny” and “Pandrogyne” are the first fruits of an artistic exploration of the possibility of identity. This is an Aquarian age in which our neat categories are troubled and disrupted by the bold lives of those seeking a more authentic way.

The use of sigils, collage, and altar sculpts can all be means of allowing us to inhabit a type of magical space that allows for a personal alchemy that I hope will catalyse change on a wider, societal level. This zone is the place of the crossroads, and as I have observed elsewhere:

If we journey to the crossroads in our attempt to rediscover our magic, we are inevitably entering a realm of liminal possibility. The crossroads is a meeting place of apparent opposites and seeming contradictions. The dynamic tension generated by the friction between these polarities makes it the place of initiation.
A Gnostic’s Progress p. 155

The crossroads is a place of incarnation and inspiration, and the word must become flesh (John, 1:14) in order for us to experience its fullness. May our art, inspiration and willingness to explore, allow access to such fullness! This is rarely an easy peace, but as we allow ourselves to tune into the complexity and mystery of our lives, may all of us experience greater authenticity and freedom.

So Mote it Be!

SD