Mystery at the Roots

In my last post I spent some time thinking about the concept of World Trees as cosmological maps. These maps are vital to the evolution of our theologies and also the mechanisms via which we see personal transformation happening. Whether we view such change as “magick”, initiation or psychological change, the maps provided by these mythic trees often highlight those key components that allow the shifts to be both balanced and sustainable.

Living in North Devon (in South West England, close to both moorland and rugged Atlantic coastlines), it’s hard to escape the impact that the winds of winter have on trees. With many stripped of leaves and being forced to bend in the face of sharp winds, they rely on flexible trunks and deep roots in order to survive. This combination of being flexible while retaining depth seems to hold wisdom for those of us feeling buffeted by gusts that we feel we have little control over.

To find our roots means to journey into the dark and the soil from which we sprang. When I seek to help families and individuals understand their current behaviours in therapy, it is inevitable that we have to adopt some archaeological moves in uncovering past role models, patterns and stories. When we dig down into these places that often feel lost and poorly understood, so the shape and speed of our growth can be understood more fully.

These roots are often unseen (or unconscious) and their depth and critical role is easy to underestimate. Anyone who has ever tried to uproot or move a tree will know of what I speak! Approaches that focus on present tense problem-solving and changing day-to-day cognition are of great value, but even these have to attend to those deeper roots in order to address more longstanding issues.

This journey of descending, searching and then ascending is hardly new and the Eleusinian and Orphic mysteries bear witness to the human need to contend with the dark, the animal and the chthonic in order to provide a more mature blossoming of any initiatory work. This motif of descent became crucial to Jung’s depth psychology, the grand mythic arcs of Joseph Campbell’s “Hero’s Journey” and in turn the scripts of the first Star Wars trilogy. In order for our transformational work to be both rich and sustainable, we need to be drawing on nutrients that only darkness and decomposition can produce. The alchemical stage of nigredo and Jung’s concept of the shadow provide us with insights into this realm; as much as we might aspire to transcendence and states of eternal permanence, we must ground our endeavours in the reality of death, the body and our struggle with uncertainty.

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Confronting the darkness

In the face of such stark challenges it can be easy to seek false refuge in either metaphysical projections or our technology-driven attempts to control and escape from discomfort. Both of these approaches are fully understandable, but often prove to be fragile and disappointing in the face of life’s brutality. In having previously considered the example of Odin on the World Tree Yggdrasil, we can see the something of the cost involved in seeking those mysteries (Runes) that seek to capture the wholeness of human experience. Whether we see his gaining of gnosis as being of triumph (“I took up the Runes roaring”) or terrifying revelation (“I took them up screaming”) it is clear that these insights came via ordeal and struggle and that such travail was lengthy.

With the degree of hyper-acceleration that seems so endemic within Western culture, it can be hard to hear that something is going to take both time and significant effort. I’m sure I’m as guilty as anyone in wanting things faster and wanting them now, but when we journey to the roots we can begin to appreciate a slower approach. For me it feels that this more gradual, organic form of emergence takes us beyond the realms of spiritual consumerism and seems to allow what James Hillman describes as the “soul making”.

My own attempts to slow things down and locate deeper roots have recently been via a reconnection to the path of Druidry. When I started exploring the path of magic over twenty years ago it was to Druidry that I was initially drawn. Perhaps because of the apparent gentleness of its style, and the way in which it allowed the Christian and Pagan to converse with each other, it provided me with a less jarring route into occult practice. Alongside my more daring adventures in Chaos magic and Tantra, I have had this slow burn affection for a path that seeks to hold together creativity, magic and wisdom (bard, ovate and druid).

Of the little we know about the druids from early sources (interested readers may like to check out the excellent The Druids by Ronald Hutton), it seems likely that it took at least twenty years to complete one’s training. For me this is good news as I’m just about on schedule! If all this was about was some obsessive attempt at Celtic reconstructionism I’m sure it would have taken far less time, but my hunch is that my deeper relationship with the druid tradition has been about the discovery of what my own expression of Wisdom and Soul should look like in the world around me. The roots of this work are deep because they are as much about my creativity, my social work and my relationships as they are about some well-choreographed wand waggling.

SD

In Search of Depth – A Review of ‘The Magickal Union of East and West’ by Gregory Peters

Much of the writing on this blog is preoccupied with the question of how we as Magicians of varying stripes seek to develop both depth and meaningful direction in our spiritual work. Rather than signing up to the concept of “one teleos fits all”, I hope that team Baphomet manages to balance a lively interest in the development of mature practice while revelling in the many potential ways that this might be pursued.

Once we move beyond the initial stages of understanding the core myths and ritual techniques of a given tradition it can feel bewildering as to how one can put down the type of deep roots that will enable more long term sustenance. While finding a helpful teacher or a structured Order may provide guidance for those lucky enough to locate them, I would not underestimate the role of a good book in providing us with new insight. Thankfully in The Magickal Union of East and West Gregory Peters has provided us with one of these volumes.

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Peters comes from a rich background of Thelemic ceremonial magic and various lineages of both  Hindu and Buddhist tantra. In this work he seeks to outline some of the key ideas and practices that he and other magical colleagues have worked with, within the Ordo Sunyata Vajra (OSV) over the past 18 years.  As is suggested by its English translation as an Order of the “Adamantine Void”, this is a curriculum that seeks to equip the magician with both philosophy and ritual technique for exploring dimensions of the “true” and “silent” self.

Peters is an open and enthusiastic guide who offers the insights he has gained with a deep sense of gratitude to those teachers and currents that have informed his work. Whether it be the work of Kaula Nath lineage of AMOOKOS, Dzogchen or Chan Buddhist practices, he presents these approaches within an explicitly Thelemic world view. However much he has gained from these Eastern traditions, his work seeks to engage with them as means for getting to the deeper dimensions of Crowley’s work as it was carried forward by Kenneth Grant, and Greg’s own mentor Soror Meral (Phyllis Seckler).

If we are to move beyond superficial heavy metal styling’s regarding the expression of “true will”, we will need to explore what will this mean in terms of the transformation of self and the manifestation of Thelema and Agape within our everyday lives. This is not a rejection of the Western magical tradition, rather it is an attempt to reconnect us to those spiritual traditions that were critical to the reconstitution of Neo-pagan paths long deprived of their own change technologies.

Our author is a big fan of Kenneth Grant and clearly sees the focus of the OSV as being profoundly connected to the recovery of a perennial form of “Stellar Gnosis”. In contrast to Grant however, Greg (as a Tantric and ceremonial practitioner) provides us with plenty of guidance with regards things we can do. Malas can be blessed and altars can be created and there are plenty of ritual outlines that we are invited to explore and adapt depending on setting and inclination. We also spend time thinking about what it means to inhabit the “dragon seat” of meditation in order to explore the oscillating sense of being and non-being.

For me, this work provides some helpful maps for exploring the limited spatial metaphors that we as magical types can get hung-up on. If we adopt a psyche-centric focus for work, are we seeking to reinforce concepts like ego-strength or are we pursuing the dissolution of our self-concept? In seeking to simultaneously deepen our engagement with both True Will and the formlessness of the Void, Peters seems to be acknowledging the inevitable spiralling movement of the self as it dances between such poles. In sitting with a spaciousness that demands the alchemical transformation of our Will, Self is ultimately embraced even though its newer form may now seem barely recognisable.

I would highly recommend this book to those magicians interested in how the Aeon of Horus can shake-off some of its dustier, pseudo-masonic origins. In the spirit of Grant’s Typhonic work and Nema’s Maat magick, the work of the OSV provides some highly helpful guidance as to how we as contemporary practitioners can work with both Eastern and Western magical currents in a manner that feels at once respectful, deep and innovative.

SD